Emile Frankel: Hearing the Cloud
Can music be a curse? This book offers an alternate history of online politics and new technology from the perspective of listening, typing, composing, and shared hearing. In spite of narrowing images of tech-dystopias and flooded, desertified worlds, experimental sound and club culture attempts to open up spaces for alternate and vital imaginings. Charting the work of artists such as Holly Herndon, Chino Amobi, Amnesia Scanner, OPN and PC Music, as well as a broader discussion of streaming economics, virtual soundtracks and internet birthed genre, ‘Hearing the Cloud’ reflects upon an epoch of music which is critical of the neoliberal future we speed towards. The causal nature of making music about such a future becomes a platform to consider the act of composing, one note over another, as an act of resistance and an act of prophecy.
Emile Frankel presents a rigorous account of a world felt to be in crisis. The aesthetic and tonal ramifications for such feelings are twisted within the oppressive online structures mediating new music. The legacies of Silicon Valley digitalism, 4chan, Less Wrong, and Chaos Magic are compared to the magical thinking which underlies stochastic composition, and the aesthetics of deconstructed club music. Despite a pessimistic account of Accelerationism and reactionary philosophy, Frankel’s spirited writing is still full of hope. ‘Hearing the Cloud’ considers the communal online conversations we engage in daily as profound acts of defiance. Sweet, lithe, oily, and honest music is shown to be an important source of togetherness.